Interviews & Press
A conversation with Audra Wolowiec in Sound American.
A conversation with Caroline Woolard for Making and Being.
A conversation with Bad at Sports during Open Engagement.
A conversation with Randall Szott in Temporary Art Review.
A conversation with Lori Weidenhammer at the Live Biennale.
A conversation with Laura Lynch on CBC’s The Current.
A conversation with Edith Abeyta for Come In We’re Open.
A conversation with Neeru Paharia for Creative Commons.
A conversation with Oliver Turner for Free Williamsburg.
“Free Show” by Eileen Myles from The Importance of Being Iceland.
Bio
Sal Gessho Randolph is an artist and writer who lives in New York and works between language and action. Her present work includes a language game that that functions as meta-instructional artwork (The Game of Art), the performative investigation of the history of attentional practices as part of the research consortium ESTAR(SER), and a series of linguistic interventions in social media, including a novel written on Twitter (@driftictation).
Her performances and projects have appeared recently at MoMA PS1, Pioneer Works, Denny Gallery, Cooper Union, Wave Pool, the Akademie der Kunst in Berlin, the Asian Arts Theater in Gwangju, Le Centre Culturel de Cerisy and in Sound American and Cabinet. She was also co-founder of dispersed holdings, a listening and publication space in New York. New language work is in Bomb, Dream Closet, La Vague, Otoliths, Queen Mob's Teahouse, txtobjx, queer.archive.work, and Urgency Reader.
She is a Zen practitioner and senior student of Roshi Enkyo O’Hara at the Village Zendo.