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About Me

I am an artist and writer living in New York. My current work takes the form of multimedia performance, experimental language, publishing, and the creation of social spaces. I frequently write about attention and the experience of art, and my research interests include the intersection of time, feeling, capital, and crisis.

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Work

My recent work also includes a meta-instructional artwork (The Library of Art), the investigation of historical practices of attention as part of the research consortium ESTAR(SER), and a series of linguistic interventions in social media, including a novel written on Twitter.

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Zen

I am a senior student of Roshi Pat Enkyo O’Hara at the Village Zendo in New York, and served as Shuso in the winter of 2018-2019.

Bio

Sal Gessho Randolph is an artist and writer who lives in New York and works between language and action. Her present work includes a language game that that functions as meta-instructional artwork (The Game of Art), the performative investigation of the history of attentional practices as part of the research consortium ESTAR(SER), and a series of linguistic interventions in social media, including a novel written on Twitter (@driftictation).

Her performances and projects have appeared recently at MoMA PS1, Pioneer Works, Denny Gallery, Cooper Union, Wave Pool, the Akademie der Kunst in Berlin, the Asian Arts Theater in Gwangju, Le Centre Culturel de Cerisy and in Sound American and Cabinet. She was also co-founder of dispersed holdings, a listening and publication space in New York. New language work is in BombDream Closet, La Vague, Otoliths, Queen Mob's Teahouse, txtobjx, queer.archive.work, and Urgency Reader.

She is a Zen practitioner and senior student of Roshi Enkyo O’Hara at the Village Zendo.